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REMBRANDT Harmenszoon van Rijn A woman bathing. Date 1654
Medium Oil on oak panel
Dimensions 61.8 x 47 cm (24.3 x 18.5 in)
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REMBRANDT Harmenszoon van Rijn Landscape with the Good Samaritan Date 1638(1638)
Medium Oil on oak panel
Dimensions Height: 66 cm (26 in). Width: 46.5 cm (18.3 in).
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REMBRANDT Harmenszoon van Rijn Biblical Scene Date 1642(1642)
Medium Oil on wood
Dimensions Height: 73 cm (28.7 in). Width: 62 cm (24.4 in).
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REMBRANDT Harmenszoon van Rijn Stormy Landscape Date ca. 1638(1638)
Medium Oil on wood
Dimensions Height: 52 cm (20.5 in). Width: 72 cm (28.3 in).
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REMBRANDT Harmenszoon van Rijn Self-portrait Date 1627(1627)
Medium Oil on wood
Dimensions Height: 23.5 cm (9.3 in). Width: 17 cm (6.7 in).
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REMBRANDT Harmenszoon van Rijn Saskia in Pompous Dress Date between 1634(1634) and 1642(1642)
Medium Oil on wood
Dimensions Height: 100 cm (39.4 in). Width: 79 cm (31.1 in).
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REMBRANDT Harmenszoon van Rijn Winter Landscape Date 1646(1646)
Medium Oil on oak
Dimensions Height: 17 cm (6.7 in). Width: 23 cm (9.1 in).
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REMBRANDT Harmenszoon van Rijn Portrait of Titus Date 1658(1658)
Medium Oil on canvas
Dimensions 67 x 55 cm (26.4 x 21.7 in)
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REMBRANDT Harmenszoon van Rijn Girl at a Window Date 1651(1651)
Medium Oil on canvas
Dimensions 78 x 63 cm (30.7 x 24.8 in)
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REMBRANDT Harmenszoon van Rijn Bust of a man wearing a cap and a gold chain. Date ca. 1635 (1634-1635)
Medium Oil on panel
Dimensions 57.5 x 44 cm (22.6 x 17.3 in)
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REMBRANDT Harmenszoon van Rijn Self-portrait. Date ca. 1629 (1628-1630)
Medium Oil on oak panel
Dimensions 38.2 x 31 cm (15 x 12.2 in)
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REMBRANDT Harmenszoon van Rijn The Mill The Mill (1645/48, oil on canvas); National Gallery of Art, Washington DC
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REMBRANDT Harmenszoon van Rijn Tobit's Wife with the Goat Date 1645(1645)
Medium Oil on mahogany panel
Dimensions Height: 20 cm (7.9 in). Width: 27 cm (10.6 in).
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REMBRANDT Harmenszoon van Rijn Adriaantje Hollaer wife of the painter Hendrick Martensz Sorgh Adriaantje Hollaer (Rotterdam, 1610 - Rotterdam, March 31 1693), wife of the painter Hendrick Martensz Sorgh. Portrait by Rembrandt. Oil on canvas.
Date 17th century
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REMBRANDT Harmenszoon van Rijn An Old Man in Military Costume 1630-1 by Rembrandt An Old Man in Military Costume 1630-1 by Rembrandt, Oil on panel, J. Paul Getty Museum
Date 1630-1631
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REMBRANDT Harmenszoon van Rijn Ahasuerus and Haman at the Feast of Esther Date 1660(1660)
Medium Oil on canvas
Dimensions 73x94cm
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REMBRANDT Harmenszoon van Rijn Samson and Delilah Date 1628
Medium Oil on panel
Dimensions 61.3 x 50 cm (24.1 x 19.7 in)
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REMBRANDT Harmenszoon van Rijn A Scholar Seated at a Desk Date 1634(1634)
Medium Oil on canvas
Dimensions 141 x 135 cm (55.5 x 53.1 in)
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REMBRANDT Harmenszoon van Rijn Moses mit den Gesetzestafeln Date 1659(1659)
Medium Oil on canvas
Dimensions 168.5 x 136.5 cm (66.3 x 53.7 in)
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REMBRANDT Harmenszoon van Rijn Joseph wird von Potiphars Weib beschuldigt Date 1655(1655)
Medium Oil on canvas
Dimensions Deutsch: 110 x 87 cm
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REMBRANDT Harmenszoon van Rijn
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Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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